~ According to the Age UK’s survey (2012-2014) 650,000 to 800,000 people aged 65 years and over in the United Kingdom say they are always or often lonely. The most common causes of loneliness among older people are poor health, reduced mobility, and cognitive or sensory impairment. Another factor that contributes towards an exclusion from social relationships is the experience of living alone. Studies have shown that 9% of all elderly people in the UK feel trapped in their own home; 12% claim they feel cut off from society.
This project derives from regular visits with an elderly lady, who struggles with most of the aforementioned issues. Through an intensive investigation of tactile materials and analogue processes, typographic installations were created, to unobtrusively link the emotional with tangible. For the first piece, almost a hundred years old crocheted doilies have been conserved in the form of solid clay tiles. Details of these fragile pieces eventually served as a grid for customly designed letters. The knitted installation was inspired by Victorian Copperplate. Due to the meditative traits and handmade quality, ceramics, calligraphy and knitting represent a deceleration of an oversaturated world, where opinions of elderly people get lost and remain unheard.
What happens when the soul gets sick? This is the main theme of a small collection of objects, forming a mosaic of ideas, spoken out loud. As a form of creative therapy, I try to transfer my feelings to different surfaces and gradually reveal the fragility of the human soul.
Through intensive research of tactile materials and different techniques, I try to find my own identity and go through the path of knowledge before and during the quarantine period. Shards form concrete images, clay lace and woven messages subtly connect the emotional with the tangible. We therefore have the opportunity to look at what is happening under the surface.
Venuše ve Švehlovce is a cool culture-retro-underground-punk-art-student-decadent cave for contemporary art, in a Berlin style, in the heart of Prague, with an addition of alterna, chemistry and depression. The logo is an abstract representation of two shells enclosing the name – an allusion to Botticelli's Birth of Venus. The visual identity was inspired by the Art Deco era, in which the building was built and has been used on posters, flyers, social media, a signage within the space and a new website. A wooden installation was also displayed, covering the wall at the entrance.
Photo posters & website © Irena Zwyrtek